Like Mozart’s music, which exemplifies the clarity, balance, and formality of classical style, this ballet moves its dancers in pairs and threes to create a sense of symmetry and proportion.ĪPPASSIONATA San Francisco Ballet rehearsing Millepied’s Appassionata // © Erik Tomasson ![]() What Should I Look For? Note the solos for the principal women and one principal man-Balanchine made this ballet for some of his favorite dancers and each of these variations on a theme showcases something unique about their personalities and technique. Balanchine considered this piece the finest divertimento Mozart ever wrote, and this 1956 version was his second attempt to choreograph to this music. 15, composed in 1777, plus a cadenza by John Coleman, added in the 1960s. What Am I Hearing? Wolfgang Amadeus Mozart’s Divertimento No. Keenly attuned to its music, this ballet showcases its dancers, highlighting their technique, musicality, and the pure joy of dance. This sparkling masterpiece-choreographed in 1956 by 20th-century genius George Balanchine-features five principal women, three principal men, and a corps de ballet of eight. 15 may be a pretty tutu ballet, but it’s anything but stuffy. Choreography by George Balanchine © The Balanchine Trust // © Erik Tomasson 15 Sasha De Sola and Hansuke Yamamoto in Balanchine’s Divertimento #15. Who’s It For? Anyone who loves going to the symphony, seeing elite athletes compete, or watching romantic movies.ĭIVERTIMENTO NO. What Is It? Three distinct takes on the classical idiom to three musical masterpieces. Mozart, Beethoven, M83-The Musical Back-drop to Program 02
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |